趙丹綺 的 金工 藝術 作品

趙丹綺 的 金工 之旅始於 銀器 創作,爾後多年不斷實驗多種金工技術於不同形式的創作,包含實用銀器、小型雕塑物件、珠寶首飾、金屬畫作等,學習金、銀、銅、鋁、鈦、錫等不同金屬媒材的掌控。然而 金工 藝術 浩瀚如海,窮盡一生仍難窺探全貌,如同世間生生不息的輪迴,我的 作品 終於回歸本源— 銀器 創作。

Tan-Chi Dandy Chao

The number of Japanese artists participating in the exhibition is six, with the word "san" as the core, focusing on the art of firewood in various production areas in Japan, and a writer who inherits the culture of the production area and innovative personal style, hoping to use their distinctive works , Presenting the similarities and differences of these writers, expounding the style and current situation of Japanese contemporary firewood art. The invitation of Taiwanese wood-fired artists includes senior and young creators. Through the long-term deep research of wood-fired works by creators, they present the unique personal cultural characteristics and style of Taiwanese wood-fired.

趙丹綺 的 金工 之旅始於 銀器 創作,爾後多年不斷實驗多種金工技術於不同形式的創作,包含實用銀器、小型雕塑物件、珠寶首飾、金屬畫作等,學習金、銀、銅、鋁、鈦、錫等不同金屬媒材的掌控。然而 金工 藝術 浩瀚如海,窮盡一生仍難窺探全貌,如同世間生生不息的輪迴,我的 作品 終於回歸本源— 銀器 創作。
趙丹綺

TAN-CHI DANDY CHAO

以手行心,以作品承載自我的真實,這樣的真實才能賦予器之美。

趙丹綺 的 金工 之旅始於 銀器 創作,爾後多年不斷實驗多種金工技術於不同形式的創作,包含實用銀器、小型雕塑物件、珠寶首飾、金屬畫作等,學習金、銀、銅、鋁、鈦、錫等不同金屬媒材的掌控。然而 金工 藝術 浩瀚如海,窮盡一生仍難窺探全貌,如同世間生生不息的輪迴,我的 作品 終於回歸本源— 銀器 創作。
趙丹綺

Tan-Chi Dandy Chao

以手行心,以作品承載自我的真實,這樣的真實才能賦予器之美。

關於 趙丹綺 銀器 作品

The author ingeniously transforms ordinary scenery into peaceful scenery, condensing the realism of rock ravines and mountain walls that we have always been familiar with in a certain space, and then arranges some architectural elements such as arches and stairs in an exaggerated proportion in three-dimensional ups and downs. In the work, the evidence of the long river passing by time is substituted. When we are close to the reading, because of the discovery of various details, we unconsciously walk into the scene that the author has constructed for us, experience the specific and subtle, and the feeling of wandering in the landscape.

Fuguei Garden will hold a "Heart Reflection"-Tea Flower Fragrance Exhibition, which will gather art creators from different media fields. To show the aesthetic expression of tea ware through the creative thinking and perspective of the artist. Tea tastes the elegance of tea, the elegance and novelty of flower arrangement. The self-consideration of fragrance smelling, and delicate culture reflects deeply into life. It presents the beauty of sight, smell, taste and literature. We invites you to love flowers. Tea, candles and incense. Come and feel it together.

李幸龍 在每一次的個展中,如何讓自己投注新的創作元素,而這新思維的延伸,又能與自己以往的作品型態有所連結。從慣用的化妝土運用,與東方紋飾雕刻結合,到柴燒、 茶壺 質感之變化,乃至大型陶板製作。總期望於當代 藝術 領域中,能有屬於東方元素之陶藝面相。也期盼屬於自己的 陶藝 創作模式與作品脈絡,依然仍往前繼續成長。
李幸龍 / Hsing-Lung Li