劉榮輝作品｜ Jung-Hui Liu's Artworks

劉榮輝的陶藝作品與山水意境

劉榮輝透過陶藝創作的呈現，時常發現形形色色的潛在性格，藝術作品反映出自我意識。「山中何所有，嶺上多白雲。」「只在此山中，雲深不知處。」「月出驚山鳥，時鳴春澗中。」「鳥宿池邊樹，僧敲月下門。」我感嘆大自然山水的雋永，將自己的感受融入孕育這一片生機的源頭。

Jung-Hui Liu

The number of Japanese artists participating in the exhibition is six, with the word "san" as the core, focusing on the art of firewood in various production areas in Japan, and a writer who inherits the culture of the production area and innovative personal style, hoping to use their distinctive works , Presenting the similarities and differences of these writers, expounding the style and current situation of Japanese contemporary firewood art. The invitation of Taiwanese wood-fired artists includes senior and young creators. Through the long-term deep research of wood-fired works by creators, they present the unique personal cultural characteristics and style of Taiwanese wood-fired.

劉榮輝

JUNG-HUI LIU

“山中何所有，嶺上多白雲。只在此山中，雲深不知處。
月出驚山鳥，時鳴春澗中。鳥宿池邊樹，僧敲月下門。“

關於劉榮輝的陶藝精神

Fuguei Garden will hold a "Heart Reflection"-Tea Flower Fragrance Exhibition, which will gather art creators from different media fields. To show the aesthetic expression of tea ware through the creative thinking and perspective of the artist. Tea tastes the elegance of tea, the elegance and novelty of flower arrangement. The self-consideration of fragrance smelling, and delicate culture reflects deeply into life. It presents the beauty of sight, smell, taste and literature. We invites you to love flowers. Tea, candles and incense. Come and feel it together.

劉榮輝

Jung-Hui Liu

山中何所有，嶺上多白雲。
只在此山中，雲深不知處。
月出驚山鳥，時鳴春澗中。
鳥宿池邊樹，僧敲月下門。

1

劉榮輝作品中的山水透過織部釉的內斂呈現，極具藝術家個人特色的陶藝語彙，在緊湊的作品空間佈局，留白間不經意地渲染，如同行雲流水的穿梭經驗，展現出台灣陶瓷藝術脈絡中的獨特鑑別度。

The author ingeniously transforms ordinary scenery into peaceful scenery, condensing realism of rock ravines and mountain walls that we have always been familiar with in certain space, and then arranges some architectural elements such as arches in exaggerated proportion in three-dimensional ups and downs. In the work, the evidence of the long river passing by time is substituted. When we are close to the reading, because of the discovery of various details, we unconsciously walk into the scene that the author has constructed for us, experience the specific and subtle, and the feeling of wandering in the landscape.

趙丹綺 / Tan-Chi Chao