張清淵 教授 的 陶藝 雕塑
台灣歷史的演進,長期對國籍識別的定位混亂及未來的發展方向的不確定感,使人民對自我民族意識的認同較其他國家來的困難。台灣當代 雕塑 家 張清淵 教授 試圖穿透這文化迷霧,但他總是堅定且獨立的在這 藝術 家心理迷宮中尋找一個解決的出口。 張清淵 的 陶藝 驚豔出色同時包含自傳與社會的象徵意義。— 李察・赫胥
Ching-Yuan Chang
Ching-Yuan Chang
The number of Japanese artists participating in the exhibition is six, with the word "san" as the core, focusing on the art of firewood in various production areas in Japan, and a writer who inherits the culture of the production area and innovative personal style, hoping to use their distinctive works , Presenting the similarities and differences of these writers, expounding the style and current situation of Japanese contemporary firewood art. The invitation of Taiwanese wood-fired artists includes senior and young creators. Through the long-term deep research of wood-fired works by creators, they present the unique personal cultural characteristics and style of Taiwanese wood-fired.