李思樺 的 陶藝 作品 與 藝術 脈絡
李思樺 陶藝 紋飾也作為美好的的期盼與想像,欲意捕捉消失的錦璱景象,也顯露出慾的另一精神層面。獸是文明未開化前,將其形象作為原始部落信仰中神秘力量的象徵。 藝術 作品 期盼能獲得與之相同的力量,逐漸成為部族神聖的圖騰,庇佑後代子孫的護身符。
Shih-Hwa Lee
Shih-Hwa Lee
The number of Japanese artists participating in the exhibition is six, with the word "san" as the core, focusing on the art of firewood in various production areas in Japan, and a writer who inherits the culture of the production area and innovative personal style, hoping to use their distinctive works , Presenting the similarities and differences of these writers, expounding the style and current situation of Japanese contemporary firewood art. The invitation of Taiwanese wood-fired artists includes senior and young creators. Through the long-term deep research of wood-fired works by creators, they present the unique personal cultural characteristics and style of Taiwanese wood-fired.